Gerd: I like the original here. Will give it spins over here fa sho. Didn’t dig the remix to be honest. The filters on the beats are a bit too much.
Philip Sherburne (Pitchfork/Wire/RA): Congrats all around, guys — this is brilliant!!!
Andrew Ryce (Pitchfork/RA/LWE): New one is AMAZING. The Andy Stott remix HOLY SHIT. It has this amazing submerged gothic/Romantic feel, creepy but classic and elegant, and the basslines… oh wow. Wow.
Ripperton: Great release bro, dig both especially the crepuscular Andy Stott mix!
Brendon Moeller: Not feeling the original so much, but Andy’s low slung slow mo dub is awesome.
Basic Soul Unit: Congrats on the label. Diggin the original.
Jordan Rothlein (RA/LWE): Big fan of this one. Both the original and the Andy Stott mix are super warped, yet in utterly different and original ways. Will play this in the club, on the radio show, in the midst of an Ambien fugue, etc. It’s 6am somewhere, obviously.
Chris Hobson (mnmlssgs): On first listen, not completely convinced by the BNJMN track, but the Andy Stott remix is a killer. And I love the design you’ve got for these EPs. Very nice.
Serge (Clone): Order made at Crosstalk.
Iron Curtis: Been a fan of BNJMN recently and this track is outstanding as well.
But the def highlight of this EP comes from Andy Stott. As a longtime Modern Love addict it’s not hard for me to like this remix — but I wonder how slow (on the bpm side of things) his production/remixes might get in 2 years. That’s a kinda drone, kinda hop, kinda bunker mix and to be more to the point: I LOVE IT!
Finn Johanssen: This is a difficult one for me. The original has this very dominant campy leitmotif which is a bit odd for my current preferences, and although I’m over 40 now and it might be time to slow down, I just can’t get into slow and mid tempo house and techno. I always have this urge to have it sped up. Help, am I out of the loop? But this is, again, a highly original release, that’s for sure!
m50: Quite unique selections — taking the vibe in almost opposite directions on the two sides here. Both are memorable, I like it.

